After starring in a lot of comedian guide variations, together with X-Men: Apocalypse and Marvel Studios’ Moon Knight, actor and producer Oscar Isaac is teaming up along with his lifelong associates Robert Johnson and John Alvey to create the unique graphic novel Head Wounds: Sparrow. Published by Legendary Entertainment and Isaac’s manufacturing firm Mad Gene Media, the graphic novel is written by hardboiled crime author Brian Buccellato and hauntingly illustrated by famous person artist Christian Ward. The graphic novel tells the story of morally conflicted New Orleans police detective Leo Gator who ho finds himself on a path of redemption as he actually inherits the bodily wounds of the group round him.
Oscar Isaac, Robert Johnson, and John Alvey sat down with MyFullGames for an unique interview about Head Wounds: Sparrow. The trio revealed the intensely private inspiration behind the story and their collaborative course of with Buccellato and Ward, they usually teased the themes within the story and the place they’d prefer to see it go subsequent.
MyFullGames: You guys have recognized one another and collaborated collectively for a very long time. What was it about Head Wounds: Sparrow that was virtually just like the fruits of this friendship and collaborative course of between you guys?
Robert Johnson: It’s completely different than the opposite tales that we have performed collectively as a result of I used to be dying and actually evaluating myself. I had Stage 4 non-Hodgkin’s lymphoma and was given six months. That was nicely over 10 years in the past, and I’m nonetheless right here. I used to be scared shitless and actually evaluating myself. We had been simply speaking about if you get into the visceral a part of your self if you get sick, you actually leap to the religious, and that is how I obtained into this mindset. This is the craziness that got here out of me. John fastened it, everybody else made it right into a factor, and that is what occurred.
Of all of the potential mediums to pursue this in, what was it concerning the comedian guide medium that made you need to convey this to life in?
Oscar Isaac: The world that Bob and John created was huge round Head Wounds. As Bob has talked about, not solely is his physique at conflict, however spiritually you are at conflict with what which means. He depicted that in a really visceral means, they usually created this huge epic world round it. When we began speaking about it as a movie or a TV sequence, we undoubtedly felt prefer it was extra of a serial story to inform. I feel due to the epic nature of the story and visuals, we felt it was a tremendous alternative to do it as a graphic novel. When Legendary, specifically, obtained enthusiastic about it, it felt like a no brainer. Sure sufficient, we had been capable of get wonderful folks — Brian Buccellato to write down it, slender it down, and condense it, and Christian Ward to unleash hellfire upon it. What we obtained is that this proper right here.
I’ve been following Christian’s work since ODY-C, and he at all times brings this psychedelic surrealism. What was it about exploring the darkish aspect of that with this non secular stigmata story?
Johnson: Christian is a genius. His artwork is not simply nice comedian guide or graphic novel artwork — it is simply nice artwork. The man has a soul that comes out by his devices, and we love that. We love the collaboration and seeing what he does. We’re like little youngsters on Christmas morning, ready for the subsequent Christian Ward drawing to return to us, and I miss it! I went right into a melancholy as a result of it stopped. I do not get a Christian Ward drawing as soon as every week.
Isaac: And the truth that he was keen to take a threat, since you’re proper, this isn’t the form of stuff he does. He does not do darkish noir or gritty realism. His stuff is psychedelic. It’s on the market, there’s area, and it is galactical. The undeniable fact that he keyed in to us wanting to inform this story in a really completely different means, I feel he obtained excited at the opportunity of doing one thing completely different. If there is not any threat, there’s simply no level in doing it.
In working with Brian and Christian as a comic book guide and seeing their work are available, how did that change your preliminary story and world as you initially deliberate it nevertheless a few years in the past?
John Alvey: We did not envision a graphic novel at first. We had been simply attempting to work on a script, like Oscar mentioned, and that modified all the pieces. The first time we obtained a script from Brian, and we noticed how a lot goes right into a graphic novel script and the way completely different it was from what we had been attempting to do, it is simply so eye-opening. With each panel and foreground, that man is nice. He’s actually good.
Johnson: I like books with footage in them. [laughs] They had been wonderful, each of them. Christian and Brian, Robert from Legendary — everyone was educating us what the hell we had been doing. We love comedian books, however we have by no means been on the opposite aspect of the curtain. We had by no means created in that means, and it was superior. We realized lots, and it grew so shortly, like that fireplace I set in my mom’s home simply that one time. [laughs]
I really like New Orleans. It’s like a slice of Europe in Louisiana. What made you need to set this story down on the bayou?
Isaac: I went to kindergarten there. My brother was born in New Orleans.
Johnson: A variety of household lives in Kenner-Metairie, and over within the swamp. I come from some Cajun inventory. I’ve gone there and at all times had a child-like marvel. We’ve met voodoo folks and hoodoo folks, and I used to be terrified of them till I met them. Most of them are cool folks. They’re deeper and undoubtedly completely different from me and the way in which that I used to be raised. They taught us a lot about herbs and methods to use this factor for tea and that form of factor. The place itself is alive, whether or not you are within the swamp or the town. There’s simply one thing completely different about Louisiana. It’s alive, has its personal soul, and such as you mentioned, there’s a variety of European roots. It’s only a lovely place, and for me, it is my creamy, religious middle, and that is why I needed to begin there.
What’s the story behind having Leo because the protagonist? Oscar, you are no stranger to taking part in characters like this — I’m pondering of A Most Violent Year, the place no one actually comes off clear. How was it having Leo on a redemptive arc, taking over the literal wounds of his group?
Isaac: That’s simply it. That’s not what human beings are like, or not less than not in my expertise. You’re continually at conflict with your self for what the precise factor is, doing the precise factor, what the unsuitable factor is, why you are doing the issues that you simply’re doing, and not likely understanding. I feel there was a chance to inform that form of gritty ’70s antihero story with Leo Gator and have that form of arc. That’s the purpose of it. That’s the way in which Bob first talked about it, and it was simply so intriguing, simply from some extent of empathy. How do you drive somebody to have empathy, particularly with people who find themselves meant to guard others? It’s their job to guard others. If these folks had been compelled to undergo the identical destiny and wounds because the folks they’re meant to guard, perhaps they’d be extra apt to do their job.
As a fast apart, Oscar, who would you prefer to see Moon Knight sq. up towards within the MCU?
Isaac: I do not know, man. Ghost Rider?
You had talked about contemplating this for tv or movie. Is that also the endgame for Head Wounds: Sparrow trying forward?
Isaac: It’s a large world that they’ve created. This is simply the tip of the iceberg. There’s much more story to inform, whether or not it is in additional books at the side of seeing it come to live-action. We’re undoubtedly excited concerning the potentialities.
Johnson: We’ve obtained a giant pot of soup. We simply have to attend and see if folks need seconds and thirds of it. It exists, but it surely’s as much as you and everybody else whether or not you prefer it or not and if you need extra. It’s at all times that means. Also, none of us are that good at endgame stuff. We’re neck-deep in planning and creating. Wherever it goes, it’s going to be superior. Wherever it goes can be badass!
Developed by Oscar Isaac and Jason Spire from a narrative created by Robert Johnson and John Alvey, Head Wounds: Sparrow is written by Brian Buccellato and illustrated by Christian Ward. The authentic graphic novel is on sale now from Legendary Entertainment and Mad Gene Media through Kickstarter and different main comedian guide publishers.